The Longplayer Conversation 2026

THE LONGPLAYER CONVERSATION 2026:
Selma Dabbagh and Alexei Sayle

At Swedenborg Hall
9th March 2026, 7pm
Tickets: £10 – Ticket Source

The Longplayer Conversation invites leading cultural and scientific voices to conduct a public discussion inspired by the work’s themes and resonances. This year, the British-Palestinian writer and lawyer Selma Dabbagh will be in conversation with the actor, author and comedian Alexei Sayle.

They will discuss narratives, literature, political fault lines and a subject close to their hearts – the development of an international rules-based order with Palestine at the centre – in the context of how Longplayer’s expression of deep time helps make sense of the past and conceptualise alternative futures.

TICKETS: £10 via Ticket Source. BOOKING ESSENTIAL.

Selma Dabbagh is a British-Palestinian writer and lawyer. She holds an LLM from SOAS and a PhD from Goldsmiths University. She has worked for human rights organizations in Jerusalem, Cairo, and London. Selma’s debut novel Out of It (Bloomsbury 2011) is set between Gaza, London, and the Gulf. Her fiction includes short stories, radio plays, as well as productions for stage and screen. She is the editor of We Wrote in Symbols: Love and Lust by Arab Women Writers (Saqi 2021) and a judge for the 2025 EBRD Literature Prize. She blogs for the London Review of Books on Gaza.

Alexei Sayle is an actor, author, stand-up comedian, television presenter and former recording artist. One of the leading lights of the alternative comedy movement in the 1980s, he appeared in The Comic StripThe Young Ones and Dr Who, before making several comedy series of his own, including Alexei Sayle’s StuffThe All New Alexei Sayle Show and Alexei Sayle’s Merry-G-Round. His film appearances range from Gorky Park to Indiana Jones and the Last Crusade. He’s written two short story collections, five novels and a memoir, Stalin Ate My Homework, as well as columns for various publications over the years. He can be heard on Alexei Sayle’s Imaginary Sandwich Bar and Alexei Sayle’s Strangers on a Train on BBC Sounds, and weekly episodes of the Alexei Sayle Podcast.

Previous Longplayer Conversations have included Kate Briggs and Daisy Hildyard, Richard Sabin and Dr. Sada Mire, Denise Ferreira da Silva and Timothy Morton, Chris Watson and Sir David Attenborough, Marina Warner and Ali Smith, Brian Eno and David Graeber.

More about Longplayer

Overview of Longplayer

Longplayer is a one thousand year long musical composition. It began playing at midnight on the 31st of December 1999, and will continue to play without repetition until the last moment of 2999, at which point it will complete its cycle and begin again. Conceived and composed by Jem Finer, it was originally produced as an Artangel commission, and is now in the care of the Longplayer Trust.

Conceptual Background

While Longplayer is most often described as a 1000 year long musical composition, the preoccupations that led to its conception were not of a musical nature; they concerned time, as it is experienced and as it is understood from the perspectives of philosophy, physics and cosmology. At extremes of scale, time has always appeared to me as baffling, both in the transience of its passing on quantum mechanical levels and in the unfathomable expanses of geological and cosmological time, in which a human lifetime is reduced to no more than a blip.

How does Longplayer work?

The composition of Longplayer results from the application of simple and precise rules to six short pieces of music. Six sections from these pieces – one from each – are playing simultaneously at all times. Longplayer chooses and combines these sections in such a way that no combination is repeated until exactly one thousand years has passed.

About Longplayer's Survival

From its initial conception, a central part of the Longplayer project has been about considering strategies for the future. How does one keep a piece of music playing across generations? How does one prepare for its technological adaptability, knowing how few technologies have remained viable over the last millenium? How does one legislate for its upkeep? And how can one communicate that responsibility to those who might be looking after it some 950 years after its original custodians have perished?

Long Term Art Projects

. . . some other long term art projects . . .