RECENT NEWS
The Trinity Buoy Wharf lighthouse now houses a shelving installation, designed by Ingrid Hu, to display the singing bowls used in the live performances of Longplayer.
Each tier of the structure, containing 39 bowls positioned sequentially, corresponds to one of the six concentric rings of the Longplayer Live instrument.
Photograph by James Whitaker
Beginning on April 30th 2013, Artangel and the Longplayer Trust will be inviting thinkers and writers from a wide variety of disciplines to engage in a chain of written correspondence on the subject of long-term thinking. Unfolding slowly over time, the Artangel Longplayer Letters will form a written conversation in which each conversant is both answering his or her predecessor and thinking toward his or her successor – it is a dialogical relay, very much in the spirit of the Long Conversations.
The first letter will be from Brian Eno to Nassim Nicholas Taleb.
A new HD version of Jem Finer’s timelapse film of the first live Longplayer performance, September 9th 2009. 1000 minutes in 1000 seconds.
Longplayer Live London 2009 : 1000 seconds from Longplayer on Vimeo.
The first bowl from the 6th circle has been named, 6.03.
For more information about naming bowls and supporting Longplayer visit this page.
Many thanks to David Jennings.
A time-lapse film made by Sustainability Media on October 16th 2010.
Curator and historian David Rooney talked about the long-term experiment of Greenwich Mean Time.
“On reaching the corner of Greenwich Park, a quiet suburban district, the police had found, amid a motley debris of trees, bushes and railings, the charred and shattered remains of a man.” Newspaper report, 1894. “Wait till they start on the Greenwich Observatory. London without time will cause them to wake up.” Suffragette conversation, 1913.
David Rooney is currently a curator at the Science Museum and formerly curator of timekeeping at the Royal Observatory, and was involved in the installation of Longplayer listening posts at both museums. He is interested in the roles played by material artefacts in long-term institutional survival strategies, and the ways people can seek to destabilise experiments in normalisation.
Conversations and events are now archived here, along with an audio recording of this talk.
Further documentation, from this and other talks, will be posted before long.
In the third of this summer’s Longplaying events artist and filmmaker Andrew Kötting and writer Iain Sinclair talked about their new collaborative work Swandown and the Long Pedal.
“Kötting hauled a plastic swan, a lure, as we walked. We were accompanied by a pair of mature students from the art college where he taught: one of them had got himself into shape for this by completing the pilgrimage to Santiago de Compostela and the other kept a record with a pinhole camera made from a Swan Vesta matchbox. Random encounters calibrated our progress.”
Iain Sinclair 2010
Conversations and events are now archived here, along with an audio recording of this talk.
The link to the live stream has changed. It will be necessary to click on the “listen” button – and then the “download stream” button – to load the new link and connect with the stream.
Paul Shepheard continued the series of talks and events at Trinity Buoy Wharf on Thursday July 28th, following Richard Wilson’s opening talk and performance in June.
Architect and writer Paul Shepheard presented a talk entitled The Bowl of the Horizon : Paul Shepheard’s relationship with Longplayer stretches back to the mid 1990′s when he was part of a think tank discussing Jem Finer’s evolving ideas as to what form the composition might take. The starting point for this lecture is a conversation that took place during one of these meetings, as to what kind of instrument might play for a thousand years, one of the examples being the cathedral clock in Salisbury Cathedral, which is now about 800 years old.
“Developing from this are some thoughts about the gothic cathedrals, which model deep time structures in actual space. There is a sense in which infrastructure overcomes its first purpose and develops meaning over long periods of time. This is most telling in viewing the horizon, which is what the lecture will ultimately describe.” Paul Shepheard
Paul Shepheard is a writer living in London, England. He is married with three children. He is qualified as an architect but since the publication of What is Architecture ? by the MIT Press in 1994 has gradually shifted the emphasis of his activities to writing and lecturing. He has two other books with the MIT Press, The Cultivated Wilderness, about landscape, 1997, and Artificial Love about architecture and machines, 2003. He has taught at the Architectural Association in London, the University of Texas at Austin and the Academie Van Bouwkunst in Amsterdam.
Future Events: 7th of September: Andrew Kötting and Iain Sinclair will be talking about the Long Pedal and their new collaboration SWANDOWN and on the 28th of September David Rooney presents Navigating experimental invention, survival and destruction: the Royal Observatory and GMT. Later in the year there will a performance of a new work by Ansuman Biswas, Far Player, in collaboration with students from U.E.L., dates to be confirmed.
Prince Charles recently visited Longplayer’s Trinity Buoy Wharf listening post. Here is a photograph of his reaction.
